I. Morning Fantasy
II. Reeling Chester
Emanations of the Sacred Harp is a two-movement work for tuba and piano.
The first movement, Morning
Fanfare for Grand Center for Brass Quintet by Barbara Harbach is an exuberant celebration for brass with triumphant rising themes and exciting rhythms that provide an exhilarating nobility and
God is Love (Gott der du Liebe heisst) from Cantata No. 33 (Allein zu dir, Herr Jesu Christ) BWV 33 and is the fifth movement, a duet aria for tenor and bass. The aria lends itself
Perambulations for Trumpet and Piano showcases the lyric possibilities and rhythmic energy of the trumpet. It opens with a blues-tinged melodic theme before moving to a bright Vivace toccata in the
Rhapsody Ritmico for Brass Quintet opens majestically with fanfare punctuations. The second section is a gently lilting lullaby with imitation in the upper brasses and a melodic and rhythmic
The Sounds of St. Louis by Barbara Harbach incorporates and combines original fugues and melodies with the popular Civil War song, "Missouri! Missouri! Bright Land of the West!," the wistful
Three Pieces for Organ and Brass by J. S. Bach, arranged and transcribed by Barbara Harbach, include Now Vengeance Hath Been Taken (Nun seid ihr wohl gerochen) from Christmas Oratorio
Two Italian Duets by G. F. Handel and arranged by Barbara Harbach contains material used later in the Messiah: "Quel fior che all'alba ride" and "No, di voi non vo' fidarmi."
This is a rollicking arrangement of a duet from Cantata 134, written by J.S. Bach for a special Easter Sunday in Leipzig in 1724. It is sure to add a festive touch to weddings and Festival Days,