If you're looking for an easily learned mixed choir setting for Christmas, consider this mostly two-part arrangement of the classic carol, breaking into four parts for the last verse. From Wilberg's
For choirs seeking a challenge, this Mack Wilberg rendition of the old English carol is a holiday event in itself! Scored for divisi choir and piano four-hands, it also features parts for handbells with
This treasured poem by Christina Rossetti has inspired many musical settings. This one, for unaccompanied mixed chorus (divisi), on a traditional Irish tune, is a lovely choice for both worship and concert
This soulful, gospel-style setting of the favorite carol O Holy Night is a treat for mixed choirs. Gorgeous smooth harmonies and a stylized piano accompaniment bring a freshness to the standard,
A minimum quantity of 10 is required on this title.
A classic arrangement of this Christmas carol from Wilberg's set of "Four Christmas Carols," accessibly performed with either the piano four hands accompaniment included in the octavo or the chamber
Availability Information
This item is temporarily unavailable from the supplier though we still may have stock. Add to cart to check availability.
Based on a traditional English carol, this original a cappella piece for mixed divisi chorus is a great way to open a Christmas concert or service. The close harmonies and imitative textures give the work
Creatively combining the traditional English carol text with a 17th-century text by Thomas Pestel, this lovely original Christmas work evokes a calm sense of the mystery and wonder of the Nativity. The
While there are many arrangements of the STILLE NACHT tune, this setting creatively fuses the traditional Gruber tune with original material by this fine young composer. Scored for mixed voices with piano,
A serene accompaniment figure reminiscent of falling snow opens this setting. As the upper voices disappear with the first verse, the lower voices enter above a slightly more stirring accompaniment pattern.
The text for this lovely work is taken from an anonymous 14th century manuscript. Set for SATB chorus and piano or small orchestra, the work is accessible for many church choirs but also may have a