Hebrews 7

Yes, this is for real! Queen's magnum opus, in a jazz language, orchestrated for big band, with jazz solos for trombone (also cued in trumpet 5/flugelhorn) and alto or bari sax thrown in for good measure.

Warning: this tune is extremely catchy and may not leave you alone! Clambake is built upon a classic Bo Diddley groove, and written in B-flat for accessible improvisation. It's scored for three

First Nation portrays the expansive American landscape in a time before European settlement. The highlights included a through-composed structure set in a distinctive minor mood. It features a

Strut is the low-end feature you've been waiting for! Feature your bass trombonist and/or your bari sax player in a funky James Brown groove a la Cold Sweat. The solos are notated with

Angsty, moody, generally annoyed - you can get all these feelings out on Surly. Its driving groove, great melodic curve, and hip instrumental interlude chorus make this a great program addition.