By Heinrich Baermann and arranged for Solo Clarinet and Clarinet Choir by K. Tod Kerstetter.

Transcribed by Rebecca Mindock. Nineteenth-Century Russian composer Pyotr Ilyich Tchaikovsky (1840-1893) composed his String Quartet No. 1, op. 11 in February of 1871. Its hauntingly lovely slow

Long before there was a Tin Pan Alley, there was the popularity of Parlor Music. This was an entertainment form that had its heyday in the 19th Century. A good portion of the American public had extra money

Featuring two B-flat and two bass clarinets, this is not just a normal transcription assigning all pre-existing notes to several instruments. This arrangement is a work all of its own that showcases the

The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early

The piccolo clarinet in D is the clarinet for which Richard Strauss wrote the main motive of his famous tone poem Till Eulenspiegel, and it also notably appears in the symphonies of Mahler and

Johann Melchior Molter achieved particular notoriety for his writing for unusual instruments, such as the chalumeau, the flauto d' amore, the flauto cornetto, and the harp. The clarinet was at the time a

The composition Daydreamin' was written as a solo for either Clarinet in Bb, or Trumpet in Bb. It is my hope that Daydreamin' will provide students with a song that they will enjoy

Der Leiermann, translated as "The Hurdy-Gurdy Player," is the final song from Franz Schubert's song cycle Winterreise, a work that follows the protagonist as he visits sites of a past