Originally written for the Sammy Nestico Dark Orchid recording and later reprised on A Portrait of Sammy, this iconic swing chart gives all the solo work to piano, first in the opening 48 measures, then
This swing original for beginning groups is based on the chord changes to Autumn Leaves. The brass ranges are very accessible with trumpet up to F5 and D-flat4 for trombone. Rhythm section parts
As one of the most important American music forms, the blues is an essential concept for developing students who are learning about jazz improvisation and ensemble playing. This easy-level swinger has it
Inspired by the music of Art Blakey and the Jazz Messengers, this medium swing original features a combo style melody and a hard-driving rhythmic feel. The written or ad lib solo section can be played by
Don't miss this swinging, shuffle blues chart for developing groups that cooks right off the top! Set at about 132 bpm, it features a full and hot saxophone section soli, a stop-time section leading
Learning music in the style of the great Count Basie Band is an essential experience for any jazz musician. This accessible chart is a swinging original featuring many of the components so
The great Count Basie was the master at short solo fills that were beautifully crafted musical statements. Feature your piano player on this easy medium swing chart in the Basie style. All piano fills are
Great scoring and a solid melody make this straight-ahead swing chart a great choice for younger bands. The minor harmonies provide an easy entry into the world of improvisation. With its flexible scoring,
Big Dipper was originally commissioned by Count Basie for an entire album of Thad Jones' music; however, Basie never made the record, instead suggesting that Thad start his own band. Big
Here is the perfect combination of an infectious melody, great scoring and many of the swing figures that are essential for younger players to learn. With flexible scoring, this
With a sit-up-and-take-notice introduction, Blackwing Blues is a straight-ahead shuffle chart played at about 138 bpm that provides an abundance of teaching and performance opportunities. With the
Blame It on the Blues is the perfect vehicle for developing jazzers to learn the essentials of swing rhythms and phrasing. Doug Beach knows how to do this kind of chart very, very well and this one
Teaching opportunities abound in this straight-ahead swing chart for young groups. Solid swing figures, blues-based changes and plenty of full ensemble work all combine to create a chart that everyone can
The combination of a medium swing groove, essential swing figures and blues-based harmonies all add up to make Blue Q an ideal chart for young jazzers to learn the basics of big-band ensemble
Everyone needs an infusion of the blues now and then, and this chart delivers! With a swinging melody, ensemble work at all dynamic levels, and spots for your soloists, this chart offers an abundance of