1 John.3

For mezzo-soprano & flute. First printing. Commissioned by and dedicated to Julia Bentley. Five movements. Includes program notes. Duration: ca. 11'. Score, 17 p.

For mezzo-soprano, flute, clarinet, violin, cello & piano. First printing. Commissioned by the Blue Rider Ensemble. Poems by Michael Ondaatje. Includes performance and biographical notes. Duration: ca.

For soprano & piano. Contents: It Was a Lover and His Lass; Come Away, Come Away, Death; Sigh No More, Ladies; Come Unto These Yellow Sands and When That I Was a Little Tiny

For soprano or mezzo-soprano, lute, guitar, percussion & harp. First printing. Includes performance and non-singing English translations of the texts. Commissioned by the Alba Consort Ensemble.

For soprano or mezzo-soprano, guitar, percussion, harp & piano. First printing. Includes performance notes and non-singing English translations of the texts. This version was commissioned for the NAT 28

For mezzo-soprano, flute, cello & harp.  First printing.  Commissioned by Sharman King for Brena Fedoruk.  The music sets a poem which was scratched on the wall of a cellar in Cologne,

For soprano, flute, oboe, percussion, viola & cello. Six songs on poems by Terrance Diggory. Printed from manuscript. Score, 37 p. and parts.

Contents: 1. Lighthouse Keeping -- 2. If the Moon Happened Once -- 3. TUNE. With a biographical note. Commissioned by and dedicated to soprano Nanette McGuinness and Ensemble for These Times. Duration ca. 9

For mezzo-soprano & piano. Six songs: Come Close (Mimi Khalviti, Iran); The Boy (Nathalie Handal, Palestine); Sun and Moon (Venus Khoury-Ghata, Lebanon); it is my soul it is (Karen Alkalay-Gut, Israel);