This creative hymn concertato begins with an organ and brass fanfare followed by the congregation singing the CORONATION tune and alternating verses with the choir singing the DIADEM tune. Bright and
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A joyful and rhythmic setting of the beloved 19th century text, this has nice vocal ranges and a clean, classic feel. The newly composed melody captures all of the buoyancy inherent in the lyrics. For
Michael Larkin has created a lovely setting of Revelation 14:13 that is expressive and approachable, for All Saints as well as for memorial or funeral services. It may be performed a cappella or with piano
Jayne Southwick Cool has written a stately new tune and text based on Psalm 100 and set in a classic hymn/anthem style. The first stanza is in unison, the second SATB with the trumpet playing OLD HUNDREDTH
This concertato on ST. GEORGE WINDSOR begins with an introduction in which the melody is set against a jaunty countermelody of dotted rhythms, a motif which recurs throughout the piece. The first verse is
This refreshing setting of the hymn tune DIX is set in a flowing 3/2 meter which extends the phrases of the familiar hymn. This shift in meter allows for a seamless blend into a verse of the CRUSADER'S HYMN
With themes of unity, thanksgiving, and outreach, Mary Jackson Cathey's text is paired with the beloved tune ES FLOG EIN KLEINS WALDVOGELEIN. This hymn concertato is scored for choir, optional solo descant,
This adaptation of Isaiah 40:21 is in the first person, so it appears as if God's reassuring voice is speaking through the choir. Easy SATB writing is complemented by the piano, and the violin and clarinet
This spirited setting of the traditional English carol for choir and four-hand piano opens with a rousing choral fanfare. Verses follow with the melody sung first by upper voices and then lower voices.
Fragments of the melody of CHRISTE SANCTORUM weave in and out of this lyrical setting for SATB, violin, and piano. The text is wide-ranging, covering themes of light, ministry, devotion, and service.
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The traditional hymn tune Solid Rock is given a gospel piano accompaniment as only composer Tom Trenney can write. Highlights of the piece include a contrasting original stanza in the relative
Here is a message of peace expressed through soothing, peaceful music. The part for violin, oboe or clarinet is reserved for the middle of the piece and carries the DIVINUM MYSTERIUM tune, later echoed by