After a lengthy introduction featuring organ and C instrument, the choir enters singing HOLY MANNA, first in unison and then in canon. Transitional harmonic regions color the third verse, then the return of
A lilting 6/8 setting of Psalm 103, this is scored for SATB voices, descant, and congregation, with piano and optional 3-5 octave handbells. First the choir sings the antiphon and the congregation copies
A minimum quantity of 5 is required on this title.
Adapted from Psalm 103, this accessible and joyful setting is useful throughout the church year. Solid three-part writing with limited range for the bass part makes this a great choice for slim Sundays or
The old Irish tune SLANE is set to a 20th-century text by Timothy Dudley-Smith in this general yet powerful setting for two-part mixed voices, flute, and organ. The use of the congregation is an option on
An original text by Marilyn Biery is set for voices and piano with optional B-flat or C instrument. This setting is two equal parts, it could be used for treble choirs or for mixed choirs as well.
This newly-composed Christmas carol is a gentle invitation to the mystery of the Incarnation. The melody, scored for SAB voices and optional congregation, could also be sung by children's voices.
This accessible arrangement of Carl Schalk's hymn tune, RAABE, is perfect for the smaller choir with optional congregational singing. Susan Palo Cherwien's text compares the story of Jesus's appearance to
This hymn concertato begins with a lovely flute and organ introduction that quotes Saint Columba with some elaborations. Six stanzas are included, three in unison, two for two-part mixed voices, and one
This original setting of a well-known and much-loved hymn text is paired with a new melody. The rich and flowing optional cello part, available separately, adds a rich color to the musical texture. The
A unique combination of an old Irish Reel combined with the tune "Star of the County Down." The setting begins with an Irish folk-like violin solo, followed by accessible choral writing.
This striking Easter anthem on the tune LASST UNS ERFREUEN, scored for choir, congregation, brass quintet, timpani, handbells (3-5 octaves) and organ, is perfect for the traditional church on Easter Sunday!
This reimagining of a William Blake poem opens with sparkling piano and a spoken narrative that expands into overlapping voices representing Pentecost. The texture throughout is predominated by
This buoyant, lively piece from Haydn's "Mass No. 3 in D minor" is set to a paraphrase of Psalm 96. The melody is easily learned and is very well matched with the text. This is equally appropriate for
An original text and tune with optional organ and violin accompaniment carries a message of the gifts of God's love and blessings. This message of encouragement and hope will inspire your choir to sing of
An accessible setting of a text based on Philippians 4, this original encourages us to think on the things that are good. The simplicity implied in the text is matched with a simple yet lovely choral
This lyric arrangement of a favorite hymn is set with rich piano accompaniment and optional French horn which adds color and depth. The ending is full, affirming "The Lord is King, let heavens ring: God