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Inspired by Psalm 133, composer Michael John Trotta has written a lovely a cappella piece that celebrates the unity of brotherhood among all people. This calm, sonorous work is the perfect choice for a

This anthem of comfort and assurance is built around the words "do not be afraid." The repetition of these words evokes a sense of calm that permeates the piece. Beautifully crafted.

Recently celebrating its 50th year in print, this breathtaking choral essay is simply one of the finest choices for Advent or general services with a text based on Revelations 22. Conceived for a

Here is a rousing setting for a cappella chorus on the tune Invitation from the shape note collection Southern Harmony of 1835. With an alternate text for the Christmas

This lively arrangement of a traditional French Christmas carol may be sung in either English or French. A cappella, it features animated polyphony throughout, with a delightfully layered and varied choral

This jewel of late-Renaissance polyphony for unaccompanied SATB voices was written by Spanish composer and priest Sebastian de Vivanco. Its subject is the commemoration of a martyr, making it

Matthew Culloton has crafted a fresh, sensitive setting of The Holly and the Ivy for SATB divisi a cappella voices. The four stanzas flow gently through shifting tonal regions and nicely varied

Usually set to a jaunty, rhythmic tune, you will be quite pleased with Peter Niedmann's smoothly flowing original setting of this text. For unaccompanied SATB with occasional divisi. Different, expressive,

Written for The Wartburg Choir in celebration of the 500th anniversary of the Reformation, I Still Possess juxtaposes a vernacular quote of Martin Luther ("…whatever I have placed in God's

A cappella choirs will enjoy this ethereal arrangement of the traditional Christmas carol. The melody is easily identifiable throughout, and a quiet energy makes it an exciting setting.

Matthew Culloton has created a gorgeous setting of the familiar carol scored for SATB divisi voices with soprano solo, a cappella. Beautiful textural and harmonic touches, alternately simple and complex,

This beautiful a cappella motet is extracted from Mr. Trotta's major work Seven Last Words. It is lush in its harmonies and suitable for both church and school use. Choirs will enjoy singing this

Victor Herbert's renowned text receives a novel and effective musical setting in this SATB a cappella choral fanfare. Stirring and energetic, it conceives each phrase of the text in its own right, employing

A welcome "big choral" setting of a classic spiritual, this unaccompanied setting has divisi in all parts, a touch of chromaticism that is totally in character, and plenty of variation in texture, tempo,

Very sustained, long legato lines characterize this arrangement of the favorite 14th-century carol. Slow, gently moving meter changes create a almost meterless atmosphere, giving creating an ethereal mood.

Ken Medema's well-known song is given a tour de force a cappella treatment by Kenneth Dake. Requiring eight-part divisi, the choir sings abundant gospel harmonies and doo-wop syllables accompany the

Scored for SATB divisi a cappella voices, Michael Atwood's arrangement of the Nunc Dimittis is slow-moving and ethereal, with subtly changing meters and harmonies. The publication includes a very