Micah.5

Based on the familiar melody, this is an engaging and lyrical chamber work for violin solo and piano, with optional strings and oboe.  It can be easily adapted for flute solo with several passages

Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.

This expansive and reflective setting of the Beatitudes is influenced by Eastern Orthodox choral traditions. The use of a sonorous tone brings out the voices as they move through the homophonic texture. The

Gerald Near has set a sublime text by John Donne, providing restrained, elegant music that responds to the text with lyricism, mixed meter, and thoughtful dissonance. The organ part nicely supports the SATB

This beautiful medley of well-known Christmas carols for violin and organ may be used in either concert or worship settings. The effective writing for both violinist and organist will be a welcome addition

The three movements of Easter Canticles - Vigil, Crucifixion, and Resurrection - are structured as a triptych after the iconostasis of an Orthodox church. The three panels are meditations on scenes

The great American hymn The Lone, Wild Bird serves as the basis for this arrangement. The work begins with a plaintive alto solo and gradually builds by layering voices. Sensitive arranging and

The goal of these five pieces is not only to reflect the spirit of the hymn tunes but also to illuminate various stanzas of the text most commonly associated with each tune. Consequently, the preludes vary

The composer uses an adaptation of the traditional African American spiritual text but provides new music which is at once introspective, thankful, and triumphant. The slow tempo allows for much expression

Matthew Culloton has crafted a fresh, sensitive setting of The Holly and the Ivy for SATB divisi a cappella voices. The four stanzas flow gently through shifting tonal regions and nicely varied

Written for The Wartburg Choir in celebration of the 500th anniversary of the Reformation, I Still Possess juxtaposes a vernacular quote of Martin Luther ("…whatever I have placed in God's

This is an up-tempo and challenging setting of a gospel favorite. A wonderful festival piece with a fun piano accompaniment!

This setting of Immortal, Invisible is full of delightful moments. Written for piano trio (violin, cello, piano), it both dances and sparkles, giving each instrument a place to shine. It's a

A sprightly organ part supports the accessible choral writing in this setting of the familiar tune. The macaronic text features Latin and English over four verses, with the third intended to be a cappella.

This arrangement begins in a quiet, almost otherworldly fashion and alternates between the well-known Holst and Darke tunes as it builds to a stately climax , then recedes again.

This beautiful a cappella motet is extracted from Mr. Trotta's major work Seven Last Words. It is lush in its harmonies and suitable for both church and school use. Choirs will enjoy singing this