Luke.15

The tune EVENTIDE is given fresh treatment that maintains the beauty of the original hymn. Written in 12/8, the flowing piano accompaniment establishes the mood for the entrance of the choir. Independent

A haunting and contemporary a cappella arrangement of a wonderful old English carol. The subtle dissonance and tonal shifts make this a memorable and meaningful setting. Great for use within a liturgical

Donald McCullough includes an interesting and lush organ part to accompany an original melody set to a familiar Lenten text. The part-writing is accessible and the altos are featured as a

One of Isaac Watts' most compelling hymns is recast with original music that deeply expresses Christ's suffering for the sin of humanity.  With important parts for the men's voices and a

Originally conceived with full orchestra accompaniment, this glorious setting of LASST UNS ERFREUEN also works well with organ accompaniment. The choral texture varies by stanza and includes some choral

This arrangement of the Spanish Toda la Tierra tune is set in a hymnlike form, yet the music never feels static as each statement is given a variety of textures throughout. From a simple

This creative hymn concertato begins with an organ and brass fanfare followed by the congregation singing the CORONATION tune and alternating verses with the choir singing the DIADEM tune. Bright and

A lyrical and lovely setting of a text by St. Augustine which is both moving and authoritative, and is sometimes referred to as a resurrection prayer. The SATB setting and flowing piano accompaniment do

A joyful and rhythmic setting of the beloved 19th century text, this has nice vocal ranges and a clean, classic feel. The newly composed melody captures all of the buoyancy inherent in the lyrics. For

The often-quoted Charles Wesley text is set here using the congregation as a central element of the music. First the phrases they sing are modeled by a soloist (or soprano section,)

This setting of LAUDA ANIMA is festive and uplifting. An extended introduction is followed by four stanzas with short interludes between stanzas 2-3 and 3-4. Stanza 3 is set for SATB a cappella voices. The

For centuries, this plainchant Alleluia has been the assigned melody proper to the Easter Vigil to announce and acclaim the Gospel. In this edition, the solemn chant

This setting of the Luis Bojo text and tune (SANTO DOMINGO) is infectious fun from beginning to end. Percussion is optional, but simple and very effective. There is a section where the women and men each