This short choral setting of the 15th-century text using a mixture of languages is scored for SATB a cappella choir with minimal divisi in the soprano and bass sections and is of easy to medium difficulty.
A minimum quantity of 10 is required on this title.
This flowing, unmetered work for a cappella women's choir focuses on the first part of the Magnificat in a prayerful setting that is perfect for any occasion honoring the Blessed Virgin Mary, including the
A minimum quantity of 5 is required on this title.
Useful as an anthem or short communion meditation, this setting of the familiar text offers several performance options. Sung alone, the anthem is less than a minute in length. The addition of organ, piano
Voiced for a cappella double choir (SSAATTBB) and making effective use of added-tone chords and modal harmonic progressions, this brilliant setting of Palmer's translation from the Salisbury Diurnal will be
This musical setting began as a simple invocation/response chant for small or large gatherings of Lasallian Christain Brothers groups. It has since spread internationally, being used with the three main
Composed for an a cappella SATB chorus, this brief through-composed piece of the Latin text alternates traditional monophonic chant (for one or more cantors) with chanted choral responses set in a
These two responsories draw upon texts from the Liturgy of the Hours for the first Sunday of Advent and the Nativity Vigil. Because the sopranos soar to high A-flat and the basses never drop below the
Centered on G, but utilizing quartal and quintal harmonies that evoke parallel organum - the music of the era of the early medieval Roman rite, when the text was written - this challenging Responsory for
Farrell's a cappella setting masterfully captures the essence of this ancient text using staggered entrances to build to "Holy Spirit of God" with ear-catching melodic writing. The harmonic flow pictures