Isaiah 24

This is a tranquil setting of The Journey Prayer from the Celtic compendium Carmina Gadelica. The sense of prescient optimism is captured in the flowing piano part, while the simplicity of the

This extraordinary benediction is dedicated to Clare College in Cambridge, where John Rutter taught for a number of years. The tranquil setting, vocal ranges, even the choice of tempo and key is remarkable

This well-crafted festival anthem is written for SSAA chorus, including semichoruses, and piano, and includes a chant throughout. Based on an evening text by William Fuller from the 17th century, the

This masterful anthem is one that has connected with singers and congregations all over the globe. It is a timeless anthem you'll come back to each and every year. Full instrumentation includes strings,

A gorgeous setting of the well-known English prayer text. Available in a variety of voicings, this blessing is a wonderful way to conclude a service or performance.

This is a lively reimagining of the 19th-century American folk hymn that opens with a solo verse then proceeds with a soaring top melody supported by the rhythmic vocal accompaniment of the lower voices,

An unaccompanied, simple and tender setting of William Blake's famous poem, particularly suitable for younger treble voices.

A setting of a melancholy text by Phineas Fletcher for unaccompanied SATB voices. Its plangent chromatic harmonies and expressive melodic lines are a remarkably adventurous achievement for a

Michael Higgins's gentle setting of the traditional Irish blessing has a memorable melody, a flowing piano part, and a beautiful, soaring soprano descant in the second verse. Written for the National

A joyous and expressive setting of Psalm 150 for SSAA voices and organ. The active organ part is in dialogue with the voices, often singing a cappella, throughout the piece. There is some use of dissonance

This a cappella work has four short movements entitled Requiem Aeternam; Kyrie; Agnus Dei and Lux Aeterna. It is scored for SSAA voices, with a descant used in one of the movements. The