Parry presents a fresh take on this popular 15th-century macaronic carol through appealing imitation, strong rhythmic interest, mixed meter, and imaginative harmonic language, culminating in a satisfying
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The glorious events of Christmas and the scene at the manger are brought to life as the bells in paradise ring together, announcing the birth of a savior on earth. With classic lines and feel in the style
This superb arrangement of the familiar OLD HUNDREDTH tune is grand yet not overdone. Choral ranges are reasonable, and there is an alternate quiet ending. While the organ part is strong and would
This work was inspired by the Radcliffe Ladies' Choir and their motto, "Friendship through singing." The lilting vocal lines are underpinned by a delicate piano part, and the opening performance direction
With a colorful text by Brian Wren, the mystery of Christ's journey from cradle to cross is explored through shifting time signatures and lovely, intertwining vocal lines. Accompanied by keyboard (piano or
This anthem presents an imaginative setting of Francis Pott's well-known hymn in triple meter. Upbeat and exciting, the colorful organ writing underpins the melodically and rhythmically interesting vocal
This lively, inventive setting by Benjamin Harlan of the 19th century French carol Angels We Have Heard on High features interesting choral textures, a great keyboard accompaniment, and 7/8 meter.
A radiant original setting of the familiar words, this carol displays Will Todd's characteristically emotive harmonic language, rich in poignant suspensions. The arching melodies for verse and refrain
A touching, tender song for the tiny Baby in the manger, and a perfect offering for Christmas worship. The simplicity and beauty of the carol are captured with wonderful skill in this superb, singable
Inspired by the text of poet E. Pauline Johnson, Sarah Quartel has created an energetic and fun piece for a cappella voices. Melodic elements and counter melodies are shared between the voices in a
William Blake's poem provides a tender text for this lullaby to the infant Jesus. Alternating between a cappella and accompanied passages with organ, this motet-like original setting swells with the
This atmospheric setting of words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked to perform with "a bit of frost and a knowing smile." Musically it includes
A beautifully simple setting of familiar words by Langston Hughes showcases homophonic writing and a rich harmonic palette.
This simple setting of the well-known poem from George Herbert's The Temple features sweeping melodies and an extended organ introduction. The melody is taken up first by upper voices, then full
This thought-provoking carol takes up the topical theme of the plight of refugees, drawing parallels with the stories and reception of Christ's birth. The text, by the composer, alludes to familiar lines
Voices, keyboard and cello obbligato reflectively tell the story of the Wise Men's journey to the manger in Bethlehem. Every step of the journey is felt in the music until the joyful arrival of the royal
This effervescent setting of David Warner's poetry includes both Christmas and general texts, with either piano four-hands or chamber orchestra accompaniment. The choral texture is distinguished by
In this original carol by John Rutter, a lilting 3/4 meter carries the listener gently through the familiar Christmas story, beautifully depicted in a text by the composer and expressed through artful
Commissioned by Graham Ross and the choir of Clare College, Cambridge, this is a truly beautiful Christmas anthem. With an original text by the composer, soaring vocal lines and intricate textures,
This compelling original work features an exquisite text that is perfectly wedded to a lilting melody, all within a rich vocal texture worthy of this master composer. It's a rare gem, easy to perform and
Based on the tune CRADLE SONG, this wordless piece (the choir hums over lush accompaniment) was written as underscoring for a reading of the Nativity story (Luke 2:1, 3-14). In the tradition of incidental
Based upon a familiar 15th century text, this celebratory carol employs textural contrasts, antiphonal vocal pairings, and occasional vocal divisi to great effect. The colorful and soloistic organ part adds
This extraordinary benediction is dedicated to Clare College in Cambridge, where John Rutter taught for a number of years. The tranquil setting, vocal ranges, even the choice of tempo and key is remarkable
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