Matthew.28

Evocative and moving polyphony paired with a text meditating on mankind's relationship with God.

This rich arrangement of the second movement of Rachmaninov's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a

Parry presents a fresh take on this popular 15th-century macaronic carol through appealing imitation, strong rhythmic interest, mixed meter, and imaginative harmonic language, culminating in a satisfying

This setting of an elegiac text by Richard Brett conveys the themes of grief and remembrance. The piece opens with a single voice that grows into a warm chordal passage before gaining momentum with

For children's choir, SATB chamber choir, and SATB double choir. This monumental cantata for massed forces was commissioned by David Hill and The Bach Choir and premiered as part of the 2012 BBC Proms.

This imaginative setting of Henry Wadsworth Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. With a rhythmic a cappella texture, this selection

In this fast and energetic piece, Quartel sets her own text celebrating the joy of singing. The melody weaves in and out of the texture, supported by dynamic vocal accompaniment and rhythmically driven by

One of McGlade's longer works, this piece begins simply before expanding into a more complex section with fluctuating time signatures and shifting tonalities. Ideal for advanced choirs, this is a fitting

An expanded reflection on the plainchant Assumpta est Maria, originally for the Feast of the Assumption of the Blessed Virgin Mary, this original setting uses a dance-like meter and expansive