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These interludes are intended to create an atmosphere, and to suggest subconsciously the words of the different hymns with which they are associated. They are designed to be played by the hands alone, but

Taken from the popular John Rutter Piano Album, this clearly presented and laid out  transcription also includes the text (lyrics) within the piano score, for reference or potential

This volume contains a host of accessible, quality new settings. The pieces are based on all the major hymn tunes for the specific season outlined. A must-have for the serious organist!

Edited by Ellen Harris.  A collection of 16 cantatas for alto or mezzo voice taken from the manuscripts in the Bodleian Library, Oxford. Includes editorial and performance notes.

Elegy, with its warmly expressive tenor-range melodies, is highly suitable for use at funerals, while the cascading joy of Festive Bells makes it perfect as a wedding recessional. Both

Written in response to the death of George Floyd in May 2020, this work makes several brief allusions to the spiritual There Is a Balm in Gilead. Imbued with singing melodies and richly

This deeply expressive arioso opens Handel's Ode for the Birthday of Queen Anne, which was written circa 1713. It is best known, more recently, for its use in the royal wedding of Meghan Markle and

Bednall's creation, rooted in the tradition of French organ improvisation, tenderly evokes the mysterious beauty of Wells Cathedral's remarkable 'Jesse Window'. The radiant music ebbs and flows calmly,

Arranged by the composer himself, this organ arrangement of one of Rutter's best-loved choral works is now available to play as a gently expressive interlude or voluntary. Requiring at least a two-manual

This impressive volume comprises a selection of eleven pieces by Gerre Hancock, who was Organist and Master of Choristers at St Thomas's, Fifth Avenue, New York for over 30 years. It includes meditative

A welcome collection of piano transcriptions made by the composer himself, featuring eight of his best-loved choral pieces. Designed for pianists at early intermediate level, the collection provides

This hauntingly beautiful work, arranged for flute or violin and piano by the composer, is extracted from Rutter's large-scale work Visions. The expressive solo line features long phrases and a

Taken from Sanctum, a setting of the Requiem text for upper voices, Lux aeterna features a simple and gentle melody supported by a new piano part in this arrangement for high or low solo

This solo Mass setting, with texts in both Latin and English from the Book of Common Prayer, is typical of the composer's style: musically sophisticated, with motivic solo lines and a great deal of