John 18

This carol (in Latin) is based on a 14th century Irish melody that is quite tuneful. A translation is included and this work makes a great addition to any carol service.

Robert Lehman, an Episcopal organist and choirmaster in St. Louis, has crafted a beautiful a cappella anthem based on Psalm 133. The voices begin in imitation but gather to offer the text as one. The vocal

Hal Hopson has been known for many years for the quality of his contributions to sacred music and this one is no exception. Taking from verses of Isaiah, Hopson has crafted a lovely, homophonic anthem that

This is a fresh look at the praise anthem genre. Based on Psalm 65, Davide Mutti has used exciting rhythms and harmonies in a brief work that could be used as an introit as well. A challenging organ part

A jubilant setting of Psalm 100 for choir and organ. Choral writing ranges from unison passages to soprano divisi with the ending calling for full divisi on a penultimate chord. 

A versatile hymn-anthem, this piece is developed from the famous John Ireland tune. All seven verses are used with varying voicings, with organ and a cappella. The final verse brings a descant into play,

This anthem incorporates two traditional Celtic prayers invoking God's guidance. Images of the flame before us, the star above us, the path before us, and the Shepherd behind us provide assurance. The piano

A particularly evocative choral rendition of this well-known text. Bonnie Duckworth treats the text as a dialogue between choir and organ, with modal harmonies and parallel chords. Beginning with the

Psalm 130 verses 1, 2, and 5 are set in free form (no meter) with organ accompaniment.

This Advent carol is both simple and imaginative. Each verse has different voicings with a richly textured final verse, which includes a part for congregation or unison choir. Highly desirable for carol

Stephen Tappe, a devoted church musician for many years, has written a lovely anthem on a thoughtful text. Much imitative polyphony and sensitive modulations characterize the work.

For general use, the text expresses the desire to be the eyes, hands and feet of Jesus to serve the world. Organ accompaniment, metric shifts from 6/8 to 9/8 fit the text well.