A straightforward bit of Baroque writing for cello solo (optional double bass or bassoon solo) with string orchestra. Showcase an advanced player while introducing Baroque style accompaniment playing to
A beautiful setting of the gospel hymn, Shall We Gather at the River, this lush arrangement opens with an oboe solo (cued in flute and alto sax) with woodwind choir. The varied textures create
Two short folks songs arranged by Percy Grainger are paired together in this expressive scoring for concert band by Leroy Osmon. Using a standard wind-band instrumentation, Osmon
Dream was written to be simple to the ears, but do not let that fool you. This title is meant to be rhythmically interesting and energetic, esoecially to the players. This title was alsowritten
The icing on the cake of Mozart's Eine Kleine Nachtsmusik! Scored for 13-voice woodwind choir and transposed to the key of F major from the original score. Exuberant, humorous, melodic
One of Mozart's recognized masterworks, Eine Kleine Nachtmusik has been widely performed and recorded. The second movement, Romanze, in rondo form conveys a feeling of
Perhaps the most popular movement of Mozart's most recognized work. Clifton Jones has transposed the original score to the key of F major, and kept all of the classic Mozartian figures.
Prelude and Fugue in traditional form, but with more contemporary harmonies, exploiting the unique ability of the concert band to recreate, and even surpass, the towering sonorities of the great pipe
This prolific composer of German marches is represented in grand style with this well-researched edition. Characterized by euphonium counterlines, embellishing woodwind lines, and colorful independent
This adaptation from the famous Vivaldi work, like the original Ocean Storm movement published previously, is designed to be performed by players of many different abilities and instrumental combinations.
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Salvation is Creatd was one of the very last sacred works composed by Tschesnokoff before the Soviet regime forced him to turn to secular arts. Years after his death communism fell, the
This transcription of the second movement of Beethoven's 7th Symphony is set antiphonally as a trombone quartet set
An exemplary display of brilliant and creative writing for advanced concert bands. Sections of intense and driving material contrast with lightly textured lyric sections, all of which have an underlying