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This piece from the composer's Three Songs for Remembrance Day is interesting and colorful. There is divisi in all parts. The rhythmic energy of the accompanimental sections is engaging and
This setting of John 3:16 is set for two treble instruments and SATB chorus. The choral parts are well-crafted and ranges are reasonable. The fresh take on a familiar text makes this piece a great
Comprises three contrasting a cappella pieces for full choir with flowing melodic lines supported by contemporary harmonies: O Magnum Mysterium, Stabat Mater Speciosa, and Hodie Christus Natus
A traditional folk song from New Brunswick, Canada, tells the story of the Jones brothers, who just can't seem to make their saw mill business profitable. Unison lines and four-part texture are propelled
This setting of Psalm 136 is set for piano and SATB voices. The piano part is supportive and engaging. The vocal parts have some leaps, but are overall accessible. The colors the composer
This a cappella setting of the Lord's Prayer is colorful and word focused. Added dynamics help to distinguish each section of the piece. The tenor part is written in the bass clef. A great piece for all
This a cappella setting of Psalm 42 is simple yet effective. There is some mixed meter used to fit the text, voice leading is accessible, and ranges are reasonable. A nice addition the the Lenten
This piece is a powerful and disturbing commentary on war. The words of this moving piece were written by an unknown soldier. Full of challenging rhythms, melodies and harmonies, this piece has great
An Angel Embraced Me is introduced by the piano, set not as an accompaniment but as an equal voice to that of the choir. The encounter in this poem is between a human and an angel: a juxtaposition
I Heard the Sky is an anticipation of reuniting a relationship. Through symbolism, the narrator speaks of the isolation and loneliness prior to an encounter with the other person. The music
Wonderful setting of a meaningful poem of William Butler Yeats about aging and remembering the past. The first half is unison. The piano part is of great support to the mood and evolution of the story. The