This challenging motet in Latin for six unaccompanied voices is an example of the height of Renaissance polyphony in England. Piano reduction included.
With Grieg's characteristic lyrical style and Romantic chromaticism, this unaccompanied work is written with mostly homophonic textures. Grieg's setting of this sacred Latin text occasionally divides into
Stanford’s setting of this Latin text for six unaccompanied voices ventures into limited polyphony in a late Romantic, lyrical style. Piano reduction included.