This edition is based on the complete first printed edition of 1803 published in two volumes by the Leipzig Bureau de Musique which was founded by Hoffmeister together with Kühnel: the plate numbers
Henry Schradieck chose the modest designation “studies” for his exercises. Their musical substance, however, goes far beyond that of a study. They are character pieces which get their
This collection was used as a standard work for cello lessons at the Paris Conservatoire in the 19th century. This new edition marks any departures from the original edition and useful tips and practice