Acts.2

This wonderful text has accessible settings by David Ashley White for either two-part or SATB choir with an optional C instrument. Different textures are used throughout, and many sections are a cappella.

This introspective anthem, based on the familiar German carol Lo, How a Rose E’er Blooming (ES IST EIN ROS), provides varied options for flexible performance: organ accompaniment alone, organ

Carl Daw's text speaks of the power of gathering communally in worship for the celebration of word and sacrament. Eleanor Daley sets the words to original, hymnlike music: tune in unison, unaccompanied

Craig Phillips has crafted a beautiful setting of the familiar benediction from the Book of Numbers, "The Lord bless you and keep you...." Each choral part moves expressively with Phillips' rich harmonic

This simple and beautiful Christmas carol sets a text by Richard Leach that celebrates the love shown through Christ's coming to earth at Christmas. The music is lush and lyrical, and would make a superb

This text focuses on the ministry and service of all churches towards fulfilling God's mission on earth. Fedak has given the text a new tune and made it accessible for choir and congregation alike. Great

Carlton Young has set many texts by Charles Wesley, and presents here a very distinctive setting that involves speaking/narration as well as the singing of a simple, canonic melody. A series of slightly

Commissioned by Peachtree Road United Methodist Church (Atlanta, Georgia) in celebration of the 2002 consecration of its sanctuary, this lively festival anthem by David Ashley White has an optional part for

This hymnlike anthem is set to a familiar text. Daley's new tune has a beautiful arch to it and moves along with energy. Stanza 3 is a cappella. Stanza 4 offers the more familiar tune inviting the

Carl Daw's Advent/Christmas text celebrates the coming of the "Word for whom creation sings." Alfred Fedak's setting is available for choir with keyboard and flute (or other C instrument), and also in the

Richard Leach's memorable text is inspired by the Greek theological word for the three-in-one interwoven nature of the Holy Trinity: "perichoresis," literally meaning "dance around." The first three stanzas

This bright and joyous choral fanfare celebrates the joy of Easter with the familiar words of St. John of Damascus. The optional brass quartet and timpani parts are not at all difficult, making them easily

This setting of the evening canticles is for treble voices and organ; it is largely in two vocal parts throughout, with some minor divisi. The dance-like Magnificat makes effective use of

These five unaccompanied pieces by Sarah MacDonald are useful as introits or short anthems throughout the church year. Although several can be attached to certain feasts, seasons, or occasions (Eastertide,

The familiar blessing, "May the road rise up to meet you" is set with great simplicity and grace. Perfect for a choral benediction or any occasion of farewell.

This anthem for TB voices and organ was written for the 108th annual Christmas Carol Services at the Memorial Church, Harvard University. Carl Daw's text uses Joseph's warning and the flight into Egypt as a

This creation-focused text is set beautifully by Craig Phillips. The piece is very well crafted and engaging. Suitable for Thanksgiving or any service focused on creation.

With a text by Richard Leach, this is a hymn setting that celebrates God's glory filling the earth. The music is broad and stirring, suitable for use with congregation. Powerful!

A collaboration between poet Mary Louise Bringle and composer Alfred V. Fedak produced this lyrical anthem for choir and organ, with optional parts for flute and congregation. The text celebrates the work