This medley of four familiar carols reflects the angelic response to the birth of Jesus. Angels from the Realms of Glory; Angels We Have Heard on High; He Is Born and Hark! The Herald Angels
Lloyd Larson has created a bright and uplifting medley of two carols about bells ringing that will be perfect for Christmas concerts and worship services. Ding! Dong! Merrily on High and I
Employing minimal techniques, this arrangement unexpectedly yet elegantly transitions from the celebratory O Come, All Ye Faithful to the reserved strains of Beautiful Savior. This
Recalling the American shape-note tradition of the 19th and 20th centuries, Linda Lamb's arrangement of this familiar tune is deeply inspired by the hymn's text. The music unfolds with a modal harmonic
Brenda Austin's lively setting of LANCASHIRE bookends a somber, harmonic middle section with a majestic and rhythmic accompaniment that supports a flowing melody. In addition to Easter services, this piece
The title says it all! Perfectly suited for Easter Sunday, this joyful, majestic piece can be used almost anywhere in a service. The excitement provided by the steadily rhythmic accompaniment, with accents
Singing bells bring a sense of anticipation, followed by simple ringing using mallets on suspended bells give a hint of the sensitive treatment to come. Rather than the traditional boisterous
Mallets, martellato, and shakes all bring new life to this traditional Christmas melody. The optional handchimes provide a welcome change of timbre after the more percussive opening section. Easy to learn
Michael Mazzatenta's relaxed arrangement of the traditional German melody makes perfect use of the 2-3 octave range, with the melody often appearing in the midrange bells without being overpowered by the
As evidenced by this expressive arrangement, this tender and meditative melody has stood the test of time. Cathy Moklebust's inclusion of the singing bell technique and random ringing will enchant your
Ron Mallory's joyful arrangement of the beloved Christmas tune provides a superb opportunity to bring the entire congregation together. An excellent choice for a concert or larger service. Well-written and
Sandra Eithun crafted this hauntingly beautiful setting of KINGSFOLD with the text of I Heard the Voice of Jesus Say in mind. The compelling mood is established through stunningly ethereal harmonies and use
Anna Laura Page's arrangement of ELLACOMBE treats the tune with the fanfare and pomp that it requires. The exuberance of the opening and closing is contrasted by a sweet, lyrical middle section that ringers
Featuring dynamic changes and extended techniques, this gentle arrangement offers your ringers many opportunities to play with great sensitivity and expression. The sixteenth notes before phrases and
This arrangement opens peacefully with an optional chime melody and a flowing accompaniment, then a sudden chord marks the transition to a lively section. This skill-builder offers a fun introduction to
This fresh and lively arrangement of ANTIOCH will be a fantastic addition to any bell choir's repertoire. The piece begins and ends with the singing bell technique and develops into a joyous rendition of
Let Our Praise Resound is a light and ethereal original work by Brain Childers. Varied techniques, including martellato, martellato lifts, malleting, LVs, and shakes, make this joyful and melodic
Perfect for processionals, this regal arrangement from Ron Mallory is full of pomp and circumstance and will set a triumphant mood for worship. It is especially well suited for developing bell choirs as it
This setting of Koschat's Psalm 23 features the melody in both low and high bells. The mood shifts from tranquil LV to a dramatic middle section played with mallets, returning gradually to a feeling of
The beloved spiritual comes alive in Ron Mallory's energetic setting. The treble and bass bells work together in a call-and-response treatment of the melody in the free opening statement. There are