This collection was compiled for the national school music competition-festivals. Contains the following solos: Introduction and Rondo (Widor); Fantasie Caprice (Lefebvre); Fantasie
Edited by Tristan Willems. For alto saxophone & piano reduction. A concerto in three movements. Weinberger composed this work in 1940, and revised and orchestrated it in 1946. Score, 28 p. and part.
A staple in the repertoire of high school and advancing college level trumpet players. On major contest and festival lists throughout the world.
Paul Wetzger's Am Waldesbach (By the Forest Brook), ideally for flute and orchestra or piano, was a staple of celebrated flutist Marcel Moyse. Since then, it has become a favorite in the flute
In addition to Giulio Briccialdi's important contributions to flute making, this virtuoso arrangement of the popular theme became one of his most enduring legacies. This exclusive edition of Carnival of
This famous concerto, originally for lute, is a great fit for solo viola with a few minor adjustments. With three short movements in the key of D major, this work will delight audiences and gives the
For Tanya is a lyrical, romantic work dedicated to the composer's wife. The original version for flute, alto saxophone and piano was premiered in Ukraine. This version features flute duo with piano
Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas while playing with Sadler's Wells Opera orchestra, which later became English National Opera. His fondness for good tunes, with
Adapted and based on themes from the Ambroise Thomas opera Mignon, this Paul Taffanel work is a firmly established part of the modern flute repertoire. This new Southern publication features Sir
With an updated flute solo part edited by Sir James Galway, this new publication introduces Mouquet's whimsical work to a new generation of flutists. In three movements: I. Pan Et Les Bergers (Pan and the
Charles Le Thieree's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from
Composed originally for flute and alto flute duo with chamber orchestra, this tuneful and songlike piece was later arranged by the composer for various duo and solo combinations with both orchestra and