Psalm.27

An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice – a miniature monodrama, sung a cappella. Okoye's music and dramatic pacing are in tune with

For voice & piano. First printing. This third volume of songs by Pasatieri includes a dozen varied pieces using a wide range of texts, such as a Psalm, a Jewish prayer, and poems by authors from William

For voice & piano. First printing. Contains 12 songs with texts ranging from Shakespeare and Dickinson through the august poetry of Carini, each imbued with the composer's lyric beauty, tenderness, and

For voice, flute, clarinet, violin, cello & piano.  First edition, custom print.  Six poems by the ... view details

Following his recent series of monodramas setting Shakespeare's scenes and soliloquys, Thomas Pasatieri continues with Antony and Cleopatra. Scored for soprano, baritone and piano, the

For voice & piano. First edition, custom print. Three songs from the larger work, Songs and Dances from The Tempest. Texts by Williams Shakespeare. Score.

A collection of seven English art songs for vocal study for high, medium, and low voices. Invocation, for high voice, sets a poem by Stephen Vincent Benet from "John Brown's Body." In the Pale

For baritone, flute, clarinet/bass clarinet, percussion, piano, violin & cello. First edition, custom print. Co-commissioned by Ronni L. Gordon and David M. Stillman for the Dolce Suono Ensemble. World

The Bride of the Moor is a monodrama for soprano and piano by Thomas Pastieri, celebrated composer of many operas that have become standard repertoire. Following The Daughter of