Isaiah 24

Written in a gospel style, this lyrical second movement extracted from the larger work Credo utilizes a text by W.E.B Du Bois: "Especially do I believe in the Negro Race; in the beauty of its

This setting of the traditional Hebrew folk tune intermingles three versions of the tune, taking artistic advantage of contrasts between the tenor solo and the tutti divisi mixed chorus with a variety of

This setting of Psalm 117 combines an elegant blend of traditional choral writing with a spiritual-like melody in the basses and a tinge of gospel fervor. The excitement of irregular meter and independent

Choral literature played a major role in Adolphus Hailstork’s early inspirations, as he grew up singing in choirs. While in college, he created this beautifully plaintive madrigal, setting the words

Three beautiful and favorite ballads, He's Gone Away; Will He Remember?, and Barbara Allen are presented here for treble choirs. A gorgeous combination of voice parts and piano.