Fourteen fascinating flute studies in many different styles, from rock and ragtime to jazz and tango and back to classical and folk. They can be played purely as solos for personal study or as duets, making
Colours that mix, shades that change and rhythms that develop are just some of the aspects that make Dehnhard's compositions so special. The short, light miniatures are small, self-contained works of art
25 modern studies from elementary to more advanced levels in musical styles from modern Classical, Jazz and Funk to
These pleasing little studies are enjoyable to play, with memorable melodies, harmonics, and rhythms. Below the surface, their deeper purpose is to promote a solid, basic technique by keying in on different
42 More Modern Studies for Solo Flute contains more modern studies complementing the established favorite: 40 Modern Studies. It contains pieces from elementary to more advanced
Mike Cornick has already published several volumes of pieces for multiple players at one piano. Now, here is a stepping stone to those great books - 6 Easy Pieces for 3 Right Hands. The emphasis here is on
In a moving piece for piano the Luxembourgian pianist and composer David Ianni bids farewell to Grand Duke Jean of Luxembourg. As a tribute, Ianni has woven the Grand Duke's family anthem into the
Brambock introduces students to the signature sound of Afro-Latin jazz, which fuses the sounds and rhythms of Africa with Caribbean dance forms. Instantly familiar classics such as La Cucaracha, Cielito
Previously published for flutes, clarinets, or saxophones, these duets are now available for a pair of that most agile of woodwind instruments, the bassoon. This is a collection of arrangements of
For your elementary ensemble, James Rae has arranged four favorite Christmas melodies in his signature All together easy Ensemble! style. A wealth of parts are provided (Part 1 in C, E-flat and
All together easy Ensemble is a series of flexible arrangements for students venturing forth into ensemble playing for the first time. Since this is an important step in the development of many
Bartok's Allegro barbaro is a favorite of keyboard-mashing pianists, with its driving rhythms and sudden forceful outbursts. Arranging a piece like this for solo guitar is no small feat, yet
“And I heard a voice” is commissioned by the Centro Nacional de Difusión Musical CNDM (Madrid) on the occasion of the 800th anniversary of the founding of the University of Salamanca in
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