Hebrews 2

The melodic line begins in unison, but then becomes more complex as the rhythm changes, with slightly canonic entries between the parts. The piano part is essential so that students can hear the changing

This melancholy ballad set in E minor is reminiscent of early Australian bush music, based on Irish folk tradition. It uses dotted rhythms and requires careful counting of rests. The piano part is optional,

Designed to teach bow division and planning of bow speeds, this piece in ternary form features a soft opening section followed by a faster middle-half bow speed in the Jack-in-the-box "surprise." Students

This laid-back selection can be played with swung or straight eighth notes. It boasts chromatic passages and syncopated rhythms that are easy to consolidate. The bass "slap" is played with the right hand

Dedicated to the composers' new grandson, this uncomplicated, gentle lullaby requires smooth, legato bows, and sustained long notes—ideal for practicing developing vibrato technique. Some extension

Just like the piece says: it's all about counting beats, rhythms, and rests. This piece makes it easy to teach the young ensemble all at the same time, as the rhythms are identical. The piano part greatly

This piece is ideally suited to introducing half position. It does not complicate the learning with intricate rhythms but focuses on the harmonies and melodic line using low first fingers in all parts.