Exodus 5

This familiar tune is set, in canon, with three different texts for use at various liturgical times. It will be excellent as an introduction to the hymn, a short acclamation or an introit.

In this musical interpretation Paul has set the contemplative words of Delores Dufner in a 6/8 meter with rich harmonic colors. The slight shift in tonality in the closing measures of the verses accentuates

This spirited setting for three-part choir, cantor, assembly, guitar, and keyboard can be used throughout the liturgical year. The composition complements this classic hymn text... view details

From Witness of the Saints, this beautiful text and tune are engaging. Written in a refrain and cantor format, it speaks of our responsibility to reach out in the name of Christ.  Calls for

Based on St. Patrick's Breastplate, this setting expresses the text with conviction and joy, sung in full four-part harmony with flute obbligato. The briefer verses provide harmonic contrast with a

The Charles Wesley hymn is given a fresh treatment with this upbeat arrangement of the RATISBON tune. Verses one and three are treated to a variety of metric shifts, with a central verse in a slower 4/4

Michigan composer Anthony Giamanco has composed this joyous anthem that makes interesting use of mixed meter and modal shifts. His original text of praise and unity effortlessly flows from an energetic