Philippians 9

The delicate melody befitting this familiar text gains gentle momentum by a continual movement in instrumental groups, vibraphone and optional harp. A quintessential piece for spring from renowned composer

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can be

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can

From the Feel the Spirit collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, this classic is arranged here for mezzo-soprano, choir and concert band but can

The final movement of John Rutter's Magnificat inspired Keith Allen, conductor of the Birmingham Symphonic Winds (UK) to suggest it as a perfect candidate for a concert band piece. With approval from the

This well-known piece by John Rutter is set in a subtle Latin mode, to which the arranger has enhanced by adding castanets, maracas, claves, and congas. The arrangement is written for combined band and

Another John Rutter delight for the season arranged here for combined concert band and chorus or for band alone. The choral parts are included in the score for reference, but are not a part of the download.

Commissioned as a wedding gift for Prince William and Kate Middleton, this anthem by John Rutter was one of the highlights of the wedding. This arrangement is taken from the setting for orchestra and chorus

Lord, thou hast been our refuge (2008) was written for the annual City United Guilds service in St. Paul's Cathedral for SATB choir, solo trumpet, and organ. This impressive and stately 

Considered one of the best paraphrases by Isaac Watts, O God Our Help in Ages Past expresses a strong note of assurance, promise and hope as recorded in the first part of Psalm 90. This Festive