Galatians 3

Three variations of Amazing Grace weave a lovely tapestry of this beloved tune: Part 1 showcases the single-line melody with a very simple accompaniment; Part 2 enlivens the tune with an obbligato

Set in C minor, handbells provide a driving accompaniment while a solo B-flat trumpet takes the melody in this energetic original. Marked with purpose, quarter = 132, this piece provides a good workout on

The beautiful and haunting Irish melody, SLANE, is here set for handbell quartet. The upper two parts are on the top stave with the other two parts having separate staves. Performance instructions are given

A charming arrangement of the familiar 15th century carol for a handbell quartet during the Christmas season, that features simple chords expanding to a running eighth note pattern in part 3 and 4 for a

Open any concert or church event with a flair. The piece begins with four-in-hand C major peals while the two lower ringers bring in and intertwine five common Christmas tunes. It is a joy to ring, exciting

Here We Come A-Caroling and God Rest You Merry, Gentlemen are combined in a challenging and entertaining format. Key, tempo and technique changes abound. This is truly a winning

This piece is performed entirely with mallets with a few martellato lifts in the middle to create contrast and bring excitement to the piece. This is a challenging arrangement due to the tempo and key

This timeless tune is based on a Ukrainian folk chant called Shchedryk, which means "bountiful," and was originally a New Year's well-wishing song. New lyrics in English have made this beloved tune

This fantasy for 4-octave handbell quartet is from "Lyra Davidica" and is a "busy" piece with shifting meters, eighth-note accompaniment figures and lots of chromatic movement. Helpful performance notes are

These pieces may be rung either by a two-octave handbell or handchime choir, or by a quartet using no tables, ringing 2 bells in each hand. The arrangements reflect the spirit of the hymns and each

Written for piano in 1877, the title came from a performance suggestion made by the composer to "play both hands turned sideways, so that the movement of the hands imitates a chopping motion." This version

A lovely composition for handbell quartet in Baroque style, with lyric sections followed by T.D. and Pluck sections for contrast and interest. A good choice for church, school, or concert hall.

Filled with lovely counter-melodies and the occasional unexpected yet satisfying chord progression, this will be a very nice addition to any quartet repertoire. O WALY WALY is a Scottish folk tune which has