Psalm 27

You are going to love this chart! Full of flavor and funk, there is plenty of groove and energy to go around in this blues-based chart. Your trombone soloist will love the opportunity left open to solo in

Here is a superb chart on a wonderful jazz standard. Typically a ballad, this treatment is a straight-eighth feel with smooth cascading lines. Written-out solos are provided for trumpet and alto. Includeds

A super-fun and super-funky groove sets up a hip melody for tenor sax, alto sax, trumpet, and guitar. Plenty of solo space is available for tenor and trumpet, and the brass section can really shine during

A good introduction to the ubiquitous rock shuffle, this piece captures the fun and mystery of an illusionist's sleight-of-hand close magic act. Every section is featured as the melodic lines are passed

This exciting new funk-rock chart is great for developing ensembles with its strong rhythm section writing and fresh harmonic writing. Your band is going to love this chart inspired by the hit song from The

It's ok to be off! This chart's harmonic structure uses only the last eight bars of a 12-bar blues - the first four bars of a typical blues are missing! -  hence the title 1/3 Off. A perfect

This Oliver Nelson chart features alto saxophone and trumpet playing the melody. Lengthy solo sections with exciting backgrounds are featured for both those players. The band also has their turn to

Here's an up-tempo and intense Latin/swing chart to challenge your ensemble. Includes a tenor sax feature and an open solo section, a rhythm section interlude, a slower swing section near the end, and a

A swingin' blues but with a fun twist: 13-bar blues! Suggested solos are written for tenor sax, trumpet, trombone, and some brief drum set fills. The trumpet range is up to a written E top space. Your

This medium difficulty chart refers to the scenic road through Pebble Beach and Pacific Grove on the Monterey Peninsula in California, much of which hugs the coastline and passes famous golf courses,

2 by 2 is written in the style of the great Cool era jazz composers like Bill Holman and Gerry Mulligan. It utilizes counterpoint in the backgrounds rather than block chords you would find in a

2000.fi was composed as a fanfare for the new Millennium and is a solo vehicle for drums. The writing is very contrapunctual in some sections. It benefits from twelve-tone technics in some of its