Psalm 46

Adapted from a Bach cantata, this joyful work will allow two or three part ensembles the opportunity to experience Baroque music and develop important performance techniques for tone, style and expression.

From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style

Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic

This stately and elegant setting of Purcell's masterwork from Birthday Ode for Queen Mary is adapted specifically for developing choirs. With vocal ranges that work well for young singers, the

Schubert, composer of over 600 lieder, elevated the art form by creating settings that give equal consideration to the melody, piano accompaniment and painting of the text. This adaptation of a classic lied

Adapted from the original, Hadyn's recognizable Gloria from Harmoniemesse is accessibly set for SAB voices. Lowered to G from the original B-flat, these ranges sit comfortably in the voice, and the

This chorus from Haydn's "Heiligmesse" is an ideal introduction to Classical style for treble choirs. Explore musical phrasing, quality tone production, and pure vowels with this simple Latin text and

Beginning with joyous acclamations, this exuberant piece features a polyphonic middle section followed by a lyrical presentation of the "amens" and the return of the homophonic style in the closing

Long a standard for choirs, this simple and elegant Schubert song for mixed choir is experiencing renewed interest. A singable English text is provided along with an IPA pronunciation guide and translation

This lovely edition provides a welcome opportunity for young singers and smaller ensembles to perform Baroque music in an authentic style. The keyboard part can be performed by harpsichord, piano, or organ,

This adaptation of Mozart's choral work has been carefully edited with dynamics and phrasings to help choirs realize the composer's intentions and perform this classic with stylistic integrity. Singers will

This Baroque selection has been adapted for mixed or treble voices and given an accessible piano accompaniment in this excellent arrangement. Stylistically authentic, it gives great opportunity to teach

This beautiful Schubert masterwork is a must for contest or festival performance. The carefully crafted, easily playable piano accompaniment and translation/pronunciation guide help to make this edition a

Purcell's original was for solo soprano and figured bass, while this new choral adaptation offers a counter melody in the second verse along with a stylistic piano accompaniment. Ample unison singing allows

An authentic and representative lied from a Romantic-era female composer set in a dynamic arrangement for women's or treble choirs. Clara Schumann's dramatic setting of the poem Lorelei was a

Adapted from a choral movement from the oratorio "Judas Maccabaeus," this is a wonderfully joyful anthem for treble or mixed choirs and an excellent introduction to Baroque style!

This classic Baroque duet is always a popular choice for young singers. In this beautifully realized edition, the key has been lowered to D major, and Baroque-inspired ornaments have been added to the

Equally at home when writing for either instruments or singers, Antonio Vivaldi's work, originally a duet for two sopranos, is now arranged for two part choir. This piece shows off both the singers and the

Excerpted and adapted from the beautiful Christmas Oratorio by Saint-Saens, this movement is a wonderful addition to any Christmas or general concert program. Middle school friendly ranges for mixed or

Two of Clara Schumann's most renowned solo art songs, Sie liebten sich beide and Warum willst du and're fragen, are beautifully adapted for treble choirs. Retaining the original German

Often considered to be one of the first great American female composers, Amy Beach's art songs are stylistically similar to those of other late-Romantic European composers. Here we have two solo art songs

Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert

From Vivaldi's opera "Il Giustino," this solo aria-turned-choral arrangement is a great way to introduce choirs to the Baroque style. Lively melismas, stylistically appropriate ornamentation, easy Italian

Lilting and dance-like, this traditional a cappella madrigal will be a delight to learn and perform with SATB choirs, especially developing choirs being introduced to the genre. With its brisk tempo,