Schubert, composer of over 600 lieder, elevated the art form by creating settings that give equal consideration to the melody, piano accompaniment and painting of the text. This adaptation of a classic lied
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The second movement of Bach's Magnificat is traditionally sung by a mezzo-soprano soloist, but has been adapted for unison treble chorus. Melismatic singing and Latin text give the opportunity to teach
G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with full orchestral
This lovely edition provides a welcome opportunity for young singers and smaller ensembles to perform Baroque music in an authentic style. The keyboard part can be performed by harpsichord, piano, or organ,
This adaptation of Mozart's choral work has been carefully edited with dynamics and phrasings to help choirs realize the composer's intentions and perform this classic with stylistic integrity. Singers will
This beautiful Schubert masterwork is a must for contest or festival performance. The carefully crafted, easily playable piano accompaniment and translation/pronunciation guide help to make this edition a
An authentic and representative lied from a Romantic-era female composer set in a dynamic arrangement for women's or treble choirs. Clara Schumann's dramatic setting of the poem Lorelei was a
Adapted from a choral movement from the oratorio "Judas Maccabaeus," this is a wonderfully joyful anthem for treble or mixed choirs and an excellent introduction to Baroque style!
This classic Baroque duet is always a popular choice for young singers. In this beautifully realized edition, the key has been lowered to D major, and Baroque-inspired ornaments have been added to the
Generations of solo singers have cherished this classic German art song, and now your choir can sing it, too! Schubert's original piano part provides the rich chromatic language from which the voice parts
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Equally at home when writing for either instruments or singers, Antonio Vivaldi's work, originally a duet for two sopranos, is now arranged for two part choir. This piece shows off both the singers and the
Often considered to be one of the first great American female composers, Amy Beach's art songs are stylistically similar to those of other late-Romantic European composers. Here we have two solo art songs
Here is a classic tenor solo aria arranged for developing tenor-bass choirs that is both a wonderful teaching tool for its historical and vocal pedagogical value and an impressive festival or concert
From Vivaldi's opera "Il Giustino," this solo aria-turned-choral arrangement is a great way to introduce choirs to the Baroque style. Lively melismas, stylistically appropriate ornamentation, easy Italian