This four-voice canon on the tune Lo, How a Rose is a great piece for opening a concert, or appropriate for putting together a quick piece for Church services.
This chorale prelude is in the form of a fantasia as it uses phrases from this hymn interspersed with a lot of free material. It can serve as either a prelude or postlude. The trombone uses a syncopated
The tune BEACH SPRING is the basis for this festive hymn setting. The incorporation of flute brings out different qualities in this grand hymn tune and will bring variety and freshness in the singing of the
A festive setting of the tune EBENEZER that can be used with a variety of hymn texts. The arrangement captures the joy of the tune and supports the congregation's participation. This arrangement contains
A lively setting for congregation, brass and organ on the tune MIT FREUDEN ZART.
A brass quartet that begins with delightful counterpoint and then breaks into the tune in the trombone with a horn counterline which in turn is punctuated with the trumpet lines. The middle section opens
This festive congregational hymn setting is an expanded version of the composer's popular organ setting of the tune LYONS. The piece was originally written to serve as a grand processional piece but can
This is a straightforward yet beautiful arrangement of the famous tune. It will require sensitive musicianship and good technique, but is such a fine piece, it practically plays itself.
An original composition in three movements for brass quartet and organ. Expansive, flowing lines for the brass are played in dialogue with the organ in the opening Invocation, followed by a second
An original composition which incorporates the TE DEUM plainchant from the Liber Usualis. The composer establishes a majestic dialog between the brass quartet and the organ that captures the inherent beauty