Isaiah 52

This selection combines the traditional with 21st century expression and looks to the eternal with hope and glorious musical vision. Lovely soaring lines in each vocal part create a beautiful choral

Sometimes the mere thought of Christ's immeasurable love can wash over the believer in an overwhelming wave. This choral anthem is reserved for those moments in worship. Using Charles Wesley's

Rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni, Veni

This original a cappella piece by composer Mark Miller is based on the traditional text Dona Nobis Pacem. A solo singer opens with the melody, and as the choir enters the piece gradually builds,

G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with full orchestral

This expressive and dynamic anthem is an original work written in the harmonic and melodic style of a spiritual. Coming from the historic St. Olaf choral series, this anthem is ideal for Lent or anytime a

Musically based on fragments of the familiar Passion Chorale, the minor mode and responsive "Kyrie" sections provide a heartfelt expression of a plea for God's voice to be heard. Appropriate for many

In a masterful blend of early musical style with modern melody and harmonies, this beautiful setting of the traditional text shines with elegant simplicity. A rubato piano opening leads to a unison

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

This stunning setting of the traditional Latin text is so rich and so deep that the music perfectly matches the quietly profound ardor of the timeless plainchant. The clarinet provides an ethereal

This haunting and soulful treatment of the well-known American folk melody includes instrumental echoes of the spiritual Sometimes I Feel Like a Motherless Child which adds further depth of

The arrangement of this African American spiritual is both accessible and gorgeous. A short choral section is used for the introduction, interludes between verses, and at the conclusion, adding cohesion to

This remarkable new arrangement for SATB chorus and piano focuses on the inherent drama of the text. Each verse expresses a different reaction to its question about the Crucifixion. The piano accompaniment,

The original tune and lyrics for this piece are by William Billings and have been adapted for mixed chorus, optional percussion and piano by Gwyneth Walker. The mournful spirit of early Americana in the