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This delightful, original work has a rhythmic foundation built on mixed meter throughout, featuring a delightful melody perfectly suited to the rhythm. Nicely placed mart-lifts add to the engaging pulse of
With constant flowing sixteenth notes, arranger Matthew Compton gives the tune BEACH SPRING a refreshing and meditative setting. Well worth the challenge, this arrangement will make a fine addition to any
A minimum quantity of 5 is required on this title.
The basic (syncopated) rhythm pattern is established in the first measure. Combine this rhythm with the fast tempo of 132-144 and the result is a fun but challenging work!
Driven by exciting polyrhythmic patterns and ornamented with striking inner lines, this original adaptation pays tribute to the classic hymn while giving it a new voice and sound. The incorporation of
For the Easter season, here is an effective, rhythmic setting of a Joel Raney hymn setting that has been newly transcribed for handbells by Arnold Sherman. With a tempo marking of Con brio, you can imagine
Opening with a motive based on the first three notes of the melody, this dynamic setting will be a welcome addition to any worship, concert, or festival experience. Filled with contrasting sections of
Composed for the 2012 International Handbell Symposium in Liverpool, England, this work is based on the tune LIVERPOOL by John Roberts. Heard throughout is a contrasting motif formed by spelling the word
One of the early American folk hymns published in a shape-note tunebook, this simple, almost plaintive pentatonic melody has been arranged using bright rhythms (10/8) and techniques that create an
This is an energetic and joyous arrangement of the tunes OLD HUNDREDTH and ST. FLAVIAN. Exciting LV eighth note patterns, rich, full chords, and the optional use of handchimes make this piece a