An accompanied clarinet solo that includes the hymns, Jesus Led Me All The Way, and All the Way My Savior Leads Me. After a brief intro of "All The Way…" the soloist
Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
This famous work for young band is available in an arrangement that can be performed by a variety of instrumental ensembles. All the sensitivity and musicianship of the original are evident in this
Clarinet Stylings is a compilation of ten hymn settings designed to offer performers a wide variety of sacred idiomatically suitable for the clarinet. Seasonal, patriotic, and general hymn tunes
A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.
Seven familiar hymns are tastefully arranged and edited for treble instrument and piano. These pieces may be played by flute, oboe, clarinet, or violin, with piano accompaniment. The part includes music for
Designed for maximum flexibility, Hymns of Praise can be used for a solo instrument with piano or CD accompaniment or for any ensemble in any combination of instruments from duets to full
The Holst setting of Christina Rossetti's poem In the Bleak Midwinter is the basis for this moody work for clarinet and piano, largely inspired by the poem's first verse that speaks of the cold
Intermediate-level musicians will shine with these solos. Includes: To God Be the Glory; Be Thou My Vision; Marching to Zion; A Mighty Fortress Is Our God; The Solid Rock; Blessed Assurance; I Love to
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Here are six simple arrangements of traditional hymns for young instrumentalists. Each book contains a piano part plus detachable solo and duet parts. Keys allow any combination of brass and woodwinds to
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A
This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats
Cele Chaminade, 1857-1944, was a well-known French composer and pianist. She toured France several times, made her debut in England in 1892, where her work was extremely popular, and visited the United
A lively and exciting solo from beginning to end - a brief introduction sets up the flavor for a modified presentation of the tune; after a modulation, the second offering is more sedate and sweet, only to
Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in