Inspired by the painting The Magdalen Weeping, this work draws strands of chants and songs into a single act of grieving. Broken into four sections, each focusing on the progression of grief:
Originally written as a wedding gift, this work was completed in 1983 and received its premiere performance nearly twenty years later. This work borrows directly from liturgical chant or was inspired by the
One in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. This choral setting is broad in both scope and tone; the tone painting evokes the