Psalm.51

This advanced setting of the traditional Latin is scored for unaccompanied mixed chorus (soprano divisi) and is taken from a longer Missa Brevis. Syllabic pulsing rather than holding out whole notes makes

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

This choral rendition of Proverbs 22:9 begins with a plaintive solo voice and continues unaccompanied with interweaving choral parts for your experienced singers. 

Through the single word "alleluia," this piece is excellent for groups looking to explore closer cluster harmonies, unification of vowels, and musical phrasing. Moderate vocal ranges and an optional descant

Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate

The rich harmonies in this a cappella prayer are expressive and intimate. With carefully prepared dissonances and thoughtful voice leading throughout, it is well within the reach of many ensembles and is

 "O Jesus, help us come to know, our work is here on earth. For feeding the hungry, for helping the poor..." This purposeful anthem reflects on the work of the people after Christ's resurrection and

This setting of Hildegard of Bingen's Ave Generosa text uses a hauntingly joyful tonality, paying homage to the mysterious story of Mary. A beautiful middle section is surrounded by contrasting

Ave Maria ("Hail Mary") for SSA and TTB a cappella choir uses original Latin text and traditional tonal harmony. The "Hail Mary" prayer is found in the New Testament and is one of the most well-known

Inspired by Ave Maria composed by the Renaissance Spanish composer Francisco Guerrero, this very interesting work co-mingles the Renaissance style with modern harmonic language. It begins with an

This stately anthem is based on a French chanson from the 1500s. The sacred text and harmonization were added in the 1800s. Voiced for smaller choirs, this anthem will be a lovely addition to your

This setting illustrates a modern yet straightforward setting of a well-known communion text. Voice parts are divided at times and the sopranos have a few places that are challenging tessitura. The interior

Opening with a section of plainchant, this setting of the traditional Latin text most known in the Mozart or Byrd versions shimmers with modern a cappella harmonies. Cluster cadences and expressive vocal

This expansive and reflective setting of the Beatitudes is influenced by Eastern Orthodox choral traditions. The use of a sonorous tone brings out the voices as they move through the homophonic texture. The

Inspired by Psalm 133, composer Michael John Trotta has written a lovely a cappella piece that celebrates the unity of brotherhood among all people. This calm, sonorous work is the perfect choice for a

Written for the Choir of the Church of the Advent in Boston, Massachusetts, this piece was composed for the wedding of John Sterling Lambert and Susan Tighlman Bisson at the Advent on October 12, 2002. The

Michael Larkin has created a lovely setting of Revelation 14:13 that is expressive and approachable, for All Saints as well as for memorial or funeral services. It may be performed a cappella or with piano

With text from the Book of Common Prayer (1662), and named for the commissioning choir of the Church of the Redeemer in Bryn Mawr, Pennsylvania, this setting of the Responses introduces a colorful,

Straightforward and elegant, this unaccompanied setting of Matthew 11:28-30 has an optional organ reduction which can double the singers. In ABA form, the pleasing and mildly contemporary harmonies evoke a

This choral prayer is an original setting of William Cowper's hymn, first published in the Olney Hymns collection. Working through a complex emotional and spiritual journey, the text ultimately points