Wish your audience a Merry Christmas and a Happy New Year in just a half a minute. This madrigal-style a cappella novelty is equally easy to learn and enjoyable to sing. Plus, it's a great choice to close
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A familiar text from Lessons and Carols services in a brand new setting. Unexpected tonality shifts and waves of building tempos lead to a final climax of "Deo gracias!" A quintessential Advent addition to
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Gabriela Martínez's poetry about the loss of her beloved is crafted into a lilting a cappella number with lush harmonies. Resolving dissonance and a soprano solo further bring the poem's meaning to
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Begin your performance or concert with this festive, rhythmic processional that features layered African drum ostinati and homophonic chordal harmonies. The Swahili text is easy to learn, and the setting is
With lively call and response, options for percussion, and repetition to enable quick learning, this energetic arrangement of a traditional Zambian folk song will have your choir and congregation responding
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With an original poem by Sensei Kazuaki Tanahashi in both Japanese and English, this meditative piece uses ideas from Zen practice to focus on the heart and mind through music. Using repetition like a
Agnus Dei is the fifth movement from Narverud's Misse de Cinque Terre, but stands on its own as a unique setting of this traditional Latin text. The work is inspired by five Italian
Best known as the featured singer on Clean Bandit’s Rather Be, up-and-coming UK music star Jess Glynne recorded this upbeat tune with an undeniably positive message. Arranged expressly for
A dynamic a cappella world music selection featuring a call and response solo, optional improvised percussion and movement, and a divided choir option. The song is a traditional South African celebratory
The second movement from a set of four contrasting memorial dances for unaccompanied mixed chorus. The text, from Isaiah 40, is set to a courtly gavotte in a minor modality. Suite Remembrance,
This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.
"Hushabye, don't you cry. Go to sleep, my little baby." This beloved folk lullaby is given a smooth a cappella setting with rich divisi and contemporary choral elements and background vocables. Choirs will
Using "Alleluia" as the sole text, this piece takes the listener on a journey from a fanfare opening to a reflective middle and a triumphant end. Commissioned by the Orpheus Chamber Singers, this
Through the single word "alleluia," this piece is excellent for groups looking to explore closer cluster harmonies, unification of vowels, and musical phrasing. Moderate vocal ranges and an optional descant
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The ancient joy-filled word "Alleluia" is paired with contemporary harmony and gently syncopated rhythms that sometimes function as an ostinato. Independent parts weave in and out to create a brilliant
With a text from Psalm 80:2, this a cappella piece is traditionally used on the third Sunday of Advent - the Gaudete or Rejoicing Sunday. The beginning quotes the "Alleluia" from the original chant, and
Beautiful modern a cappella divisi harmonies set this short text in both Latin and English that encourages us all to find the hope within. Sections alternate between serene slow-moving harmonies and quicker
This setting of the Luis Bojo text and tune (SANTO DOMINGO) is infectious fun from beginning to end. Percussion is optional, but simple and very effective. There is a section where the women and men each
Impressive and fun to sing, this arrangement of the traditional Venezuelan folk song is a universal anthem for singers around the world. Thick divisi harmonies and rhythmic nonsense syllables help create
Developing choirs will be engaged and motivated by this unique set of a cappella arrangements in a variety of styles. The rhythmic ostinati mimic a plucked banjo in an upbeat rendition of Oh,
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Perfect for holiday concerts or any time of year, this original a cappella piece is great fun and quick to learn. Written in Kiswahili, in the Maasai idiom in East Africa, it includes a phonetic
Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate