With flexible performance options, this arrangement of a hit from the Roaring Twenties has a foxtrot structure and may be performed either in unison, two, or three parts, with or without accompaniment. The

What a combination! Irving Berlin's classic song with an original partner-melody by Don Besig and Nancy Price. A real winner for two-part choirs. The optional P/A CD adds a true ragtime sound.

Totally cheeky and irreverent, this tune from Monty Python's "Spamalot" is a terrific concert feature, complete with whistling and a kick-line ending! "When you're chewin' on life's gristle, don't grumble."

"I don’t wanna work. I wanna bang on the drum all day!" This super-fun arrangement for developing choirs features singable harmonies and a vocal percussion section where performers mimic the sounds of

Beethoven's "greatest hit" is reimagined with a funky twist that your singers will love! Its iconic hook springboards into a rhythmic groove, complete with clapping, snapping, and vocal syllables that

With lyrics by the great Maurice Sendak and music by the great Carole King, this piece is a winner for your young and developing singers. With references to each month, this is a fun selection for any time

Some days, you just gotta sing the blues - even in the chorus room! This tongue-in-cheek parody expresses the multitude of frustrations and anxieties of the modern choral student - and it's also a great

Harry Nilsson's 1971 novelty song tells the story of what happens when you put the lime in the coconut: it helps you feel better when you have a bellyache!  Set at an "island rock" tempo, it's a fun,

Frothy fun for caffeine lovers everywhere! From the swingin’ echoed phrases of the catchy chorus to the tasty "with extra foam" ending, this creative chart is equal parts education and fun. Extend the

This best-selling arrangement for two-part voices has been updated and now includes multiple voicings. This novel song has been recorded by Ella Fitzgerald and Diana Krall among others, and was performed on

"I do not like green eggs and ham. I do not like them, Sam-I-Am..." This swingin' novelty number is taken from the 2000 Broadway musical "Seussical," and Andy's arrangement includes a ready-made encore

Originally recorded by Patsy Montana in 1935, this was the first country song by a female artist to sell more than one million records. Subsequently covered by Suzy Bogguss, the Dixie Chicks and LeAnn