John 9

The Chicago Tribune writes: "Moving among styles ranging from Lutheran hymnody to blues to Broadway, this modern-day Passion will move many listeners to tears even as it reaches beyond tragedy to peace,

Three fantasies: Halfte des Lebens (Half of Life), Wenn aus der Ferne (If From A Distance), and Abendphantasie (Evening Fantasy). Auf Deutsch (in German), these vocal soundscapes will challenge your most

Based on the dramatic events in Springfield, Missouri, Easter, 1906 tells the true story of the lynching of three Black men in the town square on Easter Sunday, 1906. This horrific story is just

For mixed choir. First printing. In one movement. With program and performance notes. Commissioned by Lincoln Center for the Performing Arts. Premiered in New York, August 2018. One of four works composed

For mixed choir. First printing. In one movement. With program and performance notes. Commissioned by Lincoln Center for the Performing Arts. Premiered in New York, August 2018. One of four works composed

For mixed choir. First printing. In one movement. With program and performance notes. Commissioned by Lincoln Center for the Performing Arts. Premiered in New York, August 2018. One of four works composed

The title of this work is a conscious reference to Christian liturgy, but in place of the Father, the Son, and the Holy Ghost, the composer wants to invoke the Earth, the Waters, and the Holy Wind. His

Written by the Hungarian-Austrian avant-garde composer György Ligeti, this simultaneously haunting, mysterious, unsettling, and serenely beautiful piece unfolds gradually in shimmering layers of sound

Sung without vibrato so that the vocal colors and their translucent quality remain pure and clear, this recalls the Baroque passacaglia procedure where the bass line underpins the entire work. This is an

A powerful 15-minute work depicting images of destruction and hope with passages from the Lamentations of Jeremiah. Scored for mixed choir with SATB soli or double choir, it uses the same instrumentation as

Composed in 2015, Stabat Mater was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen. Scored for mixed chorus and string orchestra, it is a long-awaited sequel to the

For mixed voices. First printing. A setting of a poem by Michael Symmons Roberts. The text is richly allegorical, iconographic with a deep well of symbolism. The metaphors are complex, evoking a range of

This three-movement suite for tenor-bass choirs is intended to elevate conversations regarding mental health. The composer brings his sense of the dramatic to this powerful score. The first movement,