Hebrews.8

Calling us to remember to seek peace with one another as we approach the altar, this octavo is sure to become a beloved part of your repertoire. The memorable melody is set very accessibly for SAB choir,

Based in part on Genesis 3:19, this anthem was designed for Ash Wednesday. Written for assembly, SAB choir, keyboard, guitar, oboe, and cello, the music and text combine to create a meaningful piece for the

The lyrics represent the point of view of the prodigal son, the Samaritan woman, and the apostles whom Jesus met on the road to Emmaus. Solo verses provide opportunities for some singers as they alternate

A unique Advent song for the assembly that challenges us to reach outside ourselves with hope and love to combat the hate and prejudice that surrounds us. The simple ostinato has various melodies that are

This joyful South African song of praise is now available in an expanded form, with call-and-response verses calling on all of creation to praise God. It is set for three-part choir and keyboard, with a

Based upon George Herbert's famous text, this is a folk-like setting of the haunting tune, The Call, by Ralph Vaughan Williams. Scored for three-part mixed voices and assembly with piano, guitar,

This responsorial Psalm setting in Spanish and English for SATB choir, cantor and assembly was commissioned by the Archdiocese of Washington for the first Mass Pope Francis celebrated in the United States

This prayer for unity is paired with a traditional Irish melody. Depending on its use, the arrangement may be presented in a prayerful, reverent, legato style or a brighter tempo with more spirited energy.

As if to reflect our differences, the voicing in this appeal for tolerance builds from unison (or optional solo voice) at the start to full SATB choir in verses 3 and 4. A key change in the fourth verse,

Since it was first published in 1976, congregations from all denominations have enjoyed the joyful message of this work. An outstanding all-purpose anthem for church choirs of all sizes. "Surely it is God

 An elegant setting of the traditional Welsh melody for SAB voices is paired with an original text suitable for baptism. Together they celebrate our gratitude for new life, God's grace, and God's

This piece features a congregational refrain, highlighting the notion that in the Lord's Supper all are united and all are called to transform the world after being fed in Holy Communion. Scored for piano,

The tune of this baptismal song reflects the energy of the text, "From the waters I will rise and walk... from kneeling I will stand and sing." While appropriate for any baptism, this song will be

A simple and easily singable song to the familiar tune MELITA, this piece was written to be used as a way to pray for those who have suffered loss, for the first responders to any crisis, and for all who

This haunting setting of Psalm 145 has a refrain set for SATB voices and flexible voicing on the verses. Rich and lyrical, this piece will find a home in many moments in a worship setting. Parts for two C

With a light Celtic lilt, this is a joyful hymn of praise for God's creation. In a richly textured setting for SATB choir and soloist, the vocals vary by verse and by refrain, nicely complemented by piano

Based on the compelling American spiritual Keep Your Hand on the Plow, this arrangement for three-part choir, assembly, keyboard, guitar, and jazzy solo trumpet set in a New Orleans bluesy/jazzy

A meditation on the diverse images of church found in the Old and view details

The eloquent cries of the soloist's verses emerge from the choir and assembly's plaintive refrain, gracefully accompanied by subdued parts for keyboard, guitar, flute and cello in this touching lamentation

A setting of Psalm 84 for cantor, choir and congregation. The first two verses are led by the cantor, the third is choral. The accompaniment is for keyboard and cello (cello part included). 

Combining verses from a modern Eucharistic text by Delores Dufner with the unchanging refrain taken from Ubi Caritas, this work is appropriate and usable in many ways: as a processional,

Freely adapted from the well-known prayer of St. Francis, this lovely setting intersperses the Filipino word kapayapaan, meaning "peace be with you," throughout the English text. The setting is

With luminous choral harmonies and soaring melodies for cantor or soloist, this setting of Psalm 34 invites choir and congregation alike into the warmth of God's presence. Scored for choir, cantor, piano,

Haugen sets a meaningful benediction text with a Celtic-like melody. This piece may be sung by a soloist, choir, or assembly as a blessing for weddings, baptisms, or other times when a quieter blessing is