Revelation 14

Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's

This setting of the traditional Latin text was written as a memorial with a soothing and calming effect. The piece opens with a solo, then moves into contemporary harmonies along with some polyphonic vocal

A refreshing take on the traditional Latin text from the Requiem Mass takes inspiration from the great settings of the past but uses suspended, sustained melodic lines and open harmonies to create a

A powerful commemoration motet for double choir with bold tonal and textural shifts, framed by outer sections in a deliberate archaic style. Originally published in A Stanford Anthology.

A choral anthem crafted from the familiar communion setting used in many Lutheran congregations, this arrangement expands to three iterations. The first time uses the standard harmonies, the second features

The traditional Latin "eternal light" text is brought to life in this a cappella work. With plenty of room for rubato and dynamic expression, this piece employs a variety of choral textures with an approach

Normand Gouin has set familiar Gregorian chant Ordinary mass movements, crafting a timeless Mass scored for assembly, SATB voices, and organ, with optional chamber orchestra. The choral parts alternately

Kyrie, Gloria, Sanctus and Agnus Dei for women's choir. At Christmas, a recitation of Bible texts about the Nativity fit in nicely between movements. The piece can be performed as a whole, or as separate

The opening section of Faure's beloved Requiem could easily be considered a classic in its own right. Conductor and former Chanticleer singer Sanford Dole has done a marvelous job adapting it for a cappella

Ravel's popular Pavane pour une infante defunte arranged for mixed voices and organ, allows choirs to perform this beautiful staple of the orchestral repertoire with meaningful text. The

There are so many great things to exalt with Burchard's new "Missa Brevis." Set consistently for four-part voices but accessible to small choirs - including church choirs -  we are blessed with