Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's
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A refreshing take on the traditional Latin text from the Requiem Mass takes inspiration from the great settings of the past but uses suspended, sustained melodic lines and open harmonies to create a
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Here is a delicate and unaccompanied setting of In Paradisum with an option to repeat the text in English. Smooth phrases match a good setting of the text that will challenge your chamber
This setting of the traditional Latin text was written as a memorial with a soothing and calming effect. The piece opens with a solo, then moves into contemporary harmonies along with some polyphonic vocal
A choral anthem crafted from the familiar communion setting used in many Lutheran congregations, this arrangement expands to three iterations. The first time uses the standard harmonies, the second features
The traditional Latin "eternal light" text is brought to life in this a cappella work. With plenty of room for rubato and dynamic expression, this piece employs a variety of choral textures with an approach
Missa Brevis received its premiere performance on June 30, 2013, by the St. Bartholomew's Episcopal Church Choir, New York City, William Trafka, conductor. This is the third work David Conte has composed
A brief setting of the famous Latin text is set with an undulating keyboard part and mild dissonance in the voices. Farrell provides lyrical and moderate range lines to express the moving text.
Ravel's popular Pavane pour une infante defunte arranged for mixed voices and organ, allows choirs to perform this beautiful staple of the orchestral repertoire with meaningful text. The
There are so many great things to exalt with Burchard's new "Missa Brevis." Set consistently for four-part voices but accessible to small choirs - including church choirs - we are blessed with
Extracted from his larger work "Requiem Novum," this Sanctus movement stands on its own as a concert work with organ accompaniment. Written for and beautifully recorded by the VOCES8 Foundation