"Venite ad me; Come to me, all you who labor." Latin and English texts comingle in this almost chant-like anthem that opens with a cappella "alleluias." Occasional dissonances are quickly resolved in the
John Donne's sonnet Death, Be Not Proud is paraphrased and set as a concertato on the original tune SUSAN BETH with organ accompaniment. The middle verse is a cappella, and a descant crowns the
When life is changing and uncertain, fixing our eyes on Jesus brings comfort and hope. This text flows smoothly, allowing time for reflection. A beautiful cello and piano accompaniment supports the
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Brimming with energy and acclamations of praise, this festive new setting of a classic hymn text will dazzle and delight the congregation. The piano establishes the rhythmic drive, introducing the
Drawing from the book of Revelation, this anthem proclaims God's reign from the beginning to the end of time. The text inspires awe and reverence and will fill your choir and congregation with a sense of
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Opening and closing with a divisi choral fanfare, this festival anthem celebrates our church heritage, referencing saints both past and present. "Alleluias" provide a unifying thread in the otherwise
This striking adaptation from scripture foretells a future free from tears, hatred, and injustice and provides a vision of a renewed and redeemed earth: "A New Jerusalem arise, a new creation come alive,
"God is with us, God is for us; do not be afraid." This refrain is interwoven with comforting quotes from scripture. Do not miss this stunningly beautiful expression of assurance and hope, suitable for any
This majestic and lively anthem is a powerful reminder of the animating force of the Breath of God and is perfect for general use or for Pentecost. Marked by accompaniment fanfare and an unaccompanied
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This arrangement of a modern hymn is regal and expressive. The accompaniment begins like a chorale, then the melody is introduced with an optional solo and duet. The choir joins on the refrain, and a short
Stephen Tappe, a devoted church musician for many years, has written a lovely anthem on a thoughtful text. Much imitative polyphony and sensitive modulations characterize the work.
A rousing and joyful setting of the much-beloved early American hymn, PROMISED LAND. Flute (or violin) and harp (or piano) introduce and accompany this sturdy arrangement which retains the flavor of the
A breathtaking choral presentation for All Saints Sunday, this masterful composition paints a picture of the happy land - far, far away - where saints stand in glory. Sensitive phrasing, swelling piano
The setting of a poem by Gracia Grindal reflects on the saints who have gone before us and continue to surround us in spirit. The music is written in a quasi-rondo format with a recurring refrain and verses
This stunning anthem opens with original music on text adapted from Romans 8:38-39. Superbly crafted, it incorporates the hymn tune DIADEMATA with a new text, organ or piano accompaniment, and nicely varied
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