Psalm.51

This selection combines the traditional with 21st century expression and looks to the eternal with hope and glorious musical vision. Lovely soaring lines in each vocal part create a beautiful choral

Known for her exquisite lyricism and soaring melodies, Hagenberg delivers an exceptional original setting of Frances Havergal's text that provides a message of hope that is so needed. A shimmering

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

Through the single word "alleluia," this piece is excellent for groups looking to explore closer cluster harmonies, unification of vowels, and musical phrasing. Moderate vocal ranges and an optional descant

Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate

The rich harmonies in this a cappella prayer are expressive and intimate. With carefully prepared dissonances and thoughtful voice leading throughout, it is well within the reach of many ensembles and is

This setting of Hildegard of Bingen's Ave Generosa text uses a hauntingly joyful tonality, paying homage to the mysterious story of Mary. A beautiful middle section is surrounded by contrasting

The Schubert masterpiece, skillfully arranged for developing choral groups, provides opportunities for solos or section features and allows conductors to work on healthy singing technique, beautiful

Opening with a section of plainchant, this setting of the traditional Latin text most known in the Mozart or Byrd versions shimmers with modern a cappella harmonies. Cluster cadences and expressive vocal

This newly edited and re-engraved excerpt is from the Liszt's larger work Christus. This selection opens the second of three sections of the oratorio  which describes the life and ministry of Christ.

Originally set as movement VIII of the cantata Melodious Accord, this work uses the hymn tune Vernon from the Mennonite shape note hymnal Harmonia Sacra and text from four verses of

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive yet approachable Baroque selection for developing choirs. The short Latin text is easy to manage and will

Taken from Haydn's masterwork, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Classical period,

This original a cappella piece by composer Mark Miller is based on the traditional text Dona Nobis Pacem. A solo singer opens with the melody, and as the choir enters the piece gradually builds,

Extracted from Kim Andre Arnesen's "Magnificat," this luscious setting opens with a hauntingly gorgeous soprano solo. Undulating choral rhythms and sublime a cappella moments make this a piece not to be

This unique setting pairs the iconic Latin text with a new, original English text which responds to the question: Why do we rejoice and shout our praises to God? The music captures the energy, rhythm, and

Subtitled as "A New Psalm 121," poet Euan Tait has added his own verse to a beloved Psalm. Beginning in unison, this piece moves to a lovely a cappella section before building to a dramatic ending. With a

This exciting mixed-meter piece is excerpted from Kim Andre Arnesen's "Magnificat." The composer has the voices in unison, two parts and four parts throughout. This variety keeps the excitement going. While

In the classic Russian choral tradition comes a piece from a set of ten communion hymns, Chesnokov's opus 25. Although other pieces in opus 25 are based on traditional church chants, For Us There Is No

Scored for soprano solo, SATB chorus, and chamber orchestra or piano, this work is the first movement of Mollicone's "Four Sacred Choruses." This movement features mostly choral homophonic singing on the