The seventh movement from Stopford's Missa Deus Nobiscum, the Benedictus is reflective and "blessed," for he who comes in the name of the Lord is God with us.
This exciting setting of the Latin text extracted from the larger Missa Romantica appears in two versions: the first is accompanied as it appears in the larger work; the second is an a cappella version for
Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's
A minimum quantity of 5 is required on this title.
A refreshing take on the traditional Latin text from the Requiem Mass takes inspiration from the great settings of the past but uses suspended, sustained melodic lines and open harmonies to create a
A minimum quantity of 10 is required on this title.
This setting of the traditional Latin text was written as a memorial with a soothing and calming effect. The piece opens with a solo, then moves into contemporary harmonies along with some polyphonic vocal
The traditional Latin "eternal light" text is brought to life in this a cappella work. With plenty of room for rubato and dynamic expression, this piece employs a variety of choral textures with an approach
Ravel's popular Pavane pour une infante defunte arranged for mixed voices and organ, allows choirs to perform this beautiful staple of the orchestral repertoire with meaningful text. The
Extracted from his larger work "Requiem Novum," this Sanctus movement stands on its own as a concert work with organ accompaniment. Written for and beautifully recorded by the VOCES8 Foundation