These introits offer a fresh take on the beloved hymn VENI, VENI EMMANUEL. The tune is the basis for the refrain, and the verses match the Roman Missal – one for each Sunday of Advent. While intended
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Descending angels in the form of your sopranos and altos are accompanied by an optional heavenly harp in this anthem written with Eastertide text. The scene between the three Marys and the angels and the
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For cantor, unison choir, assembly, and keyboard, this simple setting of Luke's Beatitudes (Luke 6:20-26) has a gentle accompaniment that perfectly spotlights the beloved scripture passage. The assembly
For cantor and choir with organ accompaniment, a responsorial anthem for advent.
Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory
For choir, cantor, assembly, and keyboard. The music was composed and the texts appointed for both the ordination of a bishop and the Chrism Mass. The verses of Psalm 89 and the Gospel Acclamation feature
Remaining true to the verbatim text but using a fresh rhythmic approach to the venerable melody VICTIMAE PASCHALI LAUDES, this contemporary spin on the Easter Sequence is sure to enliven your celebration of
Antiphons for use during communion during the Easter Season. For unison choir, cantor, assembly, with optional descant. Topics: Eternal Life, Ascension, Glory of God, Joy, Pentecost, Resurrection. Full
Based on Gregorian chant, this ninth-century antiphon is given new life as an urgent plea for peace. A sense of powerlessness and desperation is reflected in the use of free and mixed meter, while
In Spanish and English, this setting of an Easter Alleluia uses SATB voices, cantor, assembly, keyboard and guitar with C instrument, trumpet, cello and percussion. The instrumentation adds layers of joy to
This simple and solemn arrangement of The Roman Missal Entrance Antiphons sets a prayerful and jubilant tone for each of the Sundays of the Easter Season. Flexible performance options are included, from
Matthew Koraus has crafted a sturdy and very singable set of acclamations for the Eucharistic Prayer based on the hymn tune Diademata, ideal for the long season of Easter as well as Christ the King and
Adapting the words of the evening hymn Before the Ending of the Day, this rich a cappella anthem wraps the singer and listener in the warmth of God's love with a confident plea for His grace,
This short, joyful Introit (or Call to Worship) is a setting of familiar phrases from the Book of Psalms. The work is built from five motives. Motives 1 and 5 are presented (and repeated) individually; the
Seven different verses from the lectionary are included in the octavo, each focusing on some aspect of the word of God. In its simplest form, it can be performed with assembly, cantor and keyboard. There
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A lively and energetic setting of the Gloria for two-part equal voices. Very usable in worship and liturgical settings.
Tallis' response intended for the Feast of Corpus Christi can be sung at any Eucharistic service. The chant is placed in the second tenor part, and the setting can be sung as a straight-through motet or